Rado Ištok
In this essay, Rado Ištok proposes to examine the stereotypical racial imagery of the café and shop windows as transparent interfaces between public and private space in Lithuania and Eastern Europe in relation to the region’s complicit yet often ignored relationship with the histories of colonial and racist violence.
The text was originally published on echo gone wrong's website.We announce the new Post-Graduate Program in Politics of Curating Contemporary Art - B-learning, from the School of Post-Graduate and Advanced Training, of the Faculty of Human Sciences - Universidade Católica Portuguesa, starting on February 17, 2021.Politics of Silence is a anthology-book-exhibition about silence, published by the Centro de Estudos de Comunicação e Cultura (CECC), Faculdade de Ciências Humanas da Universidade Católica Portuguesa, edited by Luísa Santos with the editorial assistance of Ana Fabíola Maurício, both as a concept and as a practice which is essential to contemporary visual culture in its relationship with the political.A series of videos produced by Bigorna - Julia Flamingo and Sofia Saleme.The Politics of Curating Contemporary Art Programme offers a dynamic and intensive experience that develops a shared vocabulary and critical framework in which we discuss phenomena ranging from post-colonialism to decolonizing the museum, from environmental change to sustainability in curatorial practices, from human rights to feminism and permacultures in artistic institutions. Applications for the second phase until February 9. 
