The XI Lisbon Summer School for the Study of Culture, under the topic “Convivial Cultures”, is the final public activity of the 4Cs: From Conflict to Conviviality through Creativity and Culture.
"4Cs International Project and how art can, more than ever, create new conviviality spaces"
Julia Flamingo's reflection on some of the 4Cs Portuguese activities in these three years published on Artecapital website.
[this post is only available in Portuguese]
Cultural Program - Brian Jay de Lima Ambulo, Davide Tarragoni, Duarte Laranjo, Ilaria Sponda, Jacopo Stofler, Megha Shekhawat - Homeostatic. A Collaborative Performance
Migration, a documentary theatre piece performed in the Macao Arts Festival in May 2018, produced by the non-profit theatre company Macau Experimental Theatre, puts this agency onto the bodies of a group of Indonesian workers in Macao.
The IX Lisbon Summer School will critically consider the developments of the Neurohumanities in the past decades and question its immediate and future challenges and opportunities.
The streets are her stage; the city and the passers-by, the motivation for her performance. Who is this woman? Where is this woman heading to? What does this woman want?
Las Golondrinas (The Swallows) is the name of a Mexican song from the end of the 19th century which is still part of melancholic goodbyes and nostalgic memories. Present in Latin American culture and its particular experience of migration, this song also entitles Maya Saravia's exhibition at Balcony Gallery.
The following five days will be dedicated to the sky. To the great immensity above us and the clouds in movement. To the possibility that lies in the air and the cyclic mixture of changing combinations of elements.
Works by Jabulani Maseko / Words by Sofia Steinvorth
The upcoming X Lisbon Consortium Graduate Conference in Culture Studies will be focusing on the concept of Face as an object of artistic, cultural, biological and technological interest.
The work of Aimée Zito Lema (Amsterdam, 1982) addresses the dynamics between individual and collective memory, with a particular focus on the recording and intergenerational transmission of events, both through material history and through the human body as a mnemonic repository. Placing aesthetic and social practices side by side, her work inhabits a world of critical interaction between the material and the human.
