"4Cs International Project and how art can, more than ever, create new conviviality spaces"
Julia Flamingo's reflection on some of the 4Cs Portuguese activities in these three years published on Artecapital website.
[this post is only available in Portuguese]
The work of Aimée Zito Lema (Amsterdam, 1982) addresses the dynamics between individual and collective memory, with a particular focus on the recording and intergenerational transmission of events, both through material history and through the human body as a mnemonic repository. Placing aesthetic and social practices side by side, her work inhabits a world of critical interaction between the material and the human.
The XI Lisbon Summer School for the Study of Culture, under the topic “Convivial Cultures”, is the final public activity of the 4Cs: From Conflict to Conviviality through Creativity and Culture.
The IX Lisbon Summer School will critically consider the developments of the Neurohumanities in the past decades and question its immediate and future challenges and opportunities.
The following five days will be dedicated to the sky. To the great immensity above us and the clouds in movement. To the possibility that lies in the air and the cyclic mixture of changing combinations of elements.
Works by Jabulani Maseko / Words by Sofia Steinvorth
The upcoming X Lisbon Consortium Graduate Conference in Culture Studies will be focusing on the concept of Face as an object of artistic, cultural, biological and technological interest.
The streets are her stage; the city and the passers-by, the motivation for her performance. Who is this woman? Where is this woman heading to? What does this woman want?
Migration, a documentary theatre piece performed in the Macao Arts Festival in May 2018, produced by the non-profit theatre company Macau Experimental Theatre, puts this agency onto the bodies of a group of Indonesian workers in Macao.
Las Golondrinas (The Swallows) is the name of a Mexican song from the end of the 19th century which is still part of melancholic goodbyes and nostalgic memories. Present in Latin American culture and its particular experience of migration, this song also entitles Maya Saravia's exhibition at Balcony Gallery.
"Libertas. Da condição de pessoa livre" was the opening performance of "Vasco Araújo. A Moment Apart" at MAAT.
The performance is one of the moments of the 4Cs Lisbon Mediation Lab.
Last February, Kader Attia and Jean-Jacques Lebel presented “L’Un et l’Autre [One and the Other]” at Palais de Tokyo. Jean-Jacques Lebel (b. 1936, France) is an artist, curator, writer, activist, event organiser, and was the author of the first European happening; Kader Attia (b. 1970, France) grew up between Paris and Algeria, and his interdisciplinary approach to research explores issues such as traditions, colonialism and collective memory.
CECC researcher and Professor Ana Cachola wrote a chapter on the work of artist Binelde Hyrcan for the book 'Atlantica: Contemporary Art from Angola and its Diaspora'.
During her month-long residency at Rua das Gaivotas 6, Aimée Zito Lema (n. 1982, NL) has developed research on memory and the intergenerational transmission of events through material history and the human body.
In 1970, Judy Baca created with the collaboration of local gang members the mural entitled Mi Abuelita, one of the first community murals in L.A. This project introduced an innovative approach in the creation of inclusive and non-conflictual public art.
"Talk Tower for Forough Farrokhzad" (2020) was designed for broadcasting poetry, as a homage to the Iranian poet and filmmaker Forough Farrokhzad (1934-1967). The work combines Ângela Ferreira’s concerns with the material consequences of modernism and how those forms evolve and change as they travel through the world. "Talk Tower for Forough Farrokhzad" is a work produced in the frame of the 4Cs Lisbon Mediation Lab.
CECC announces that Luísa Santos (CECC researcher), has just won a 20 thousand euros financing from DGARTES for the publication of "The Politics of Silence", an anthology-book-exhibition on silence, as a concept and essential practice for contemporary visual culture in its relationship with the political.
