In 1970, Judy Baca created with the collaboration of local gang members the mural entitled Mi Abuelita, one of the first community murals in L.A. This project introduced an innovative approach in the creation of inclusive and non-conflictual public art.
The work of Aimée Zito Lema (Amsterdam, 1982) addresses the dynamics between individual and collective memory, with a particular focus on the recording and intergenerational transmission of events, both through material history and through the human body as a mnemonic repository. Placing aesthetic and social practices side by side, her work inhabits a world of critical interaction between the material and the human.
The streets are her stage; the city and the passers-by, the motivation for her performance. Who is this woman? Where is this woman heading to? What does this woman want?
Las Golondrinas (The Swallows) is the name of a Mexican song from the end of the 19th century which is still part of melancholic goodbyes and nostalgic memories. Present in Latin American culture and its particular experience of migration, this song also entitles Maya Saravia's exhibition at Balcony Gallery.
The IX Lisbon Summer School will critically consider the developments of the Neurohumanities in the past decades and question its immediate and future challenges and opportunities.
Migration, a documentary theatre piece performed in the Macao Arts Festival in May 2018, produced by the non-profit theatre company Macau Experimental Theatre, puts this agency onto the bodies of a group of Indonesian workers in Macao.
"Libertas. Da condição de pessoa livre" was the opening performance of "Vasco Araújo. A Moment Apart" at MAAT.
The performance is one of the moments of the 4Cs Lisbon Mediation Lab.
Last February, Kader Attia and Jean-Jacques Lebel presented “L’Un et l’Autre [One and the Other]” at Palais de Tokyo. Jean-Jacques Lebel (b. 1936, France) is an artist, curator, writer, activist, event organiser, and was the author of the first European happening; Kader Attia (b. 1970, France) grew up between Paris and Algeria, and his interdisciplinary approach to research explores issues such as traditions, colonialism and collective memory.
CECC researcher and Professor Ana Cachola wrote a chapter on the work of artist Binelde Hyrcan for the book 'Atlantica: Contemporary Art from Angola and its Diaspora'.
During her month-long residency at Rua das Gaivotas 6, Aimée Zito Lema (n. 1982, NL) has developed research on memory and the intergenerational transmission of events through material history and the human body.
The Summer School intends to be an advanced course of new practices of cinema, combining a critical thought with the contact with great creators of film and contemporary art. From July 2nd to 6th. Universidade Católica Portuguesa - Porto, Portugal.
A roundtable discussion with Isabel Capeloa Gil and Filipa Oliveira on Conviviality and the Institutional, a publication based on a conference of the same name held as part of a European cooperation project coordinated by the Universidade Católica and co-financed by the European Union’s Creative Europe programme 4Cs – From Conflict to Conviviality through Creativity and Culture.
The Lisbon Consortium's Inaugural Lecture 2019-20, which will take place on October 9, at 6.00pm in room 511 (Building Faculdade de Ciências Económicas e Empresariais), at Universidade Católica Portuguesa.
Recordings of "Not a Pillar not a Pile (Dance for Dore Hoyer)". Katarina Zdjelar's video installation at MAAT.
Part of the Lisbon Film Programme curated by Azar Mahmoudian.
