"4Cs International Project and how art can, more than ever, create new conviviality spaces"
Julia Flamingo's reflection on some of the 4Cs Portuguese activities in these three years published on Artecapital website.
[this post is only available in Portuguese]
Bonaventure Soh Bejeng Ndikung (1977, Yaoundé, Cameroon) has been appointed artistic director of sonsbeek 2020. The 12th edition will take place in and around Arnhem from June 5 to September 13, 2020.
The IX Lisbon Summer School will critically consider the developments of the Neurohumanities in the past decades and question its immediate and future challenges and opportunities.
The upcoming X Lisbon Consortium Graduate Conference in Culture Studies will be focusing on the concept of Face as an object of artistic, cultural, biological and technological interest.
Golden Lion for Best National Participation - Lithuanian Pavilion at the Venice Biennale | Sun & Sea (Marina) - Rugilė Barzdžiukaitė, Vaiva Grainytė, Lina Lapelytė
Commissioner: Rasa Antanavičıūte, Nida Art Colony of Vilnius Academy of Arts. Curator: Lucia Pietroiusti. May 11–October 31, 2019
The Summer School intends to be an advanced course of new practices of cinema, combining a critical thought with the contact with great creators of film and contemporary art. From July 2nd to 6th. Universidade Católica Portuguesa - Porto, Portugal.
The Lisbon Consortium's Inaugural Lecture 2019-20, which will take place on October 9, at 6.00pm in room 511 (Building Faculdade de Ciências Económicas e Empresariais), at Universidade Católica Portuguesa.
Call for Papers - On Cinema. New perspectives of research.
Journal of Science and Technology of the Arts | Revista de Ciência e Tecnologia das Artes | Portuguese Catholic University, Porto.
Deadline for submissions: June 15, 2019
Reflections following a week at the Antoni Tàpies Foundation for the exhibition ‘Errata’ and associated events.
'Who controls the past controls the future. Who controls the present controls the past.” (George Orwell, ‘1984')
The X Lisbon Summer School for the Study of Culture, under the topic “Ecoculture”, intends to reflect on the interrelation between culture and the environment, to examine the growing awareness of the negative impact of human activities and to discuss the necessity to rethink, reconceptualize and redefine the relationship between humans and the non-human world.
On 30 January, CECC will host its annual Fieldwork, this time under the theme New Horizons 2020.
Luísa Santos will present an upcoming research project born out of 4Cs.
The INTERFACES Conference “Cultural synergies, creativity & innovation” is a two-day international event that explores how cultural synergies could contribute to innovation and creativity in the field of CULTURE.
Ana Fabíola Maurício, 4Cs Project Manager will be part of Panel 1: Inclusion, DIVERSITY, Access, and Equity in the Arts and Culture Sector, Friday 6th of March at 11 am.
A group of Royal College of Art students created a temporary research studio at Gasworks exploring what it means to be a resident in both the global art world and with respect to the wider geopolitical context of borders and restricted mobility.
On March 30 and 31, some faculty members and Lisbon Consortium's students got together for a study trip to Malpartida de Cáceres, to visit the Vostell Malpartida Museum and to Elvas, for a guided tour to the Contemporary Art Museum by Ana Cristina Cachola.
For the summer of 2021, Tensta konsthall will move to Taxingeplan. Ângela Ferreira's "Talk Tower for Forough Farrokhzad" will take part of the programme.
4Cs was selected as one of the 45 organizations to participate in the structured dialogue on Culture and the sustainable development goals: Challenges and Opportunities.
M HKA (Museum of Contemporary Art Antwerp), Van Abbemuseum (Eindhoven) and deBuren (the Dutch-Flemish house for culture and debate) are co-convenors of the two-day conference “Considering Monoculture". This two-day interdisciplinary programme will consider current and historical manifestations of monoculture as well as its implications for art, culture and its institutions.
To take stock of the past year, Artforum asked an international group of artists to select a single exhibition or event that most memorably caught their attention in 2020.
Kader Attia has selected "Errata" - Ariella Aïsha Azoulay's exhibition at Fundació Antoni Tapiès, Barcelona.
As an independent art space questioning fixed notions, SAVVY Contemporary | The laboratory of form-ideas always works in precarious conditions. The current moment of confinement, of social and political tensions, presents itself as a challenge to continue a practice of radical conviviality, unlearning and sharing. Please support SAVVY continuing their practices in their new space in Berlin. All posters by amazing artists 50 Euros each.
It is now available a complete map with all the institutions and participants that are collaborating with this project, this map is constantly updated.
Adopting the Deleuzian idea of the fold as a desire of change (1993), the fold(s) is a project of the MA and PhD students of The Lisbon Consortium of the Universidade Católica Portuguesa in the frame of the Seminar in Curatorship lead by Luísa Santos.
